Traditional Japanese Garden Styles
Traditional Japanese gardens are composed landscapes that express philosophical, religious, and cultural ideas through carefully arranged natural elements. Rather than functioning solely as decorative spaces, they are designed as experiential environments that encourage contemplation, controlled movement, and an awareness of impermanence. Each garden style developed in response to specific historical and social conditions while sharing a consistent visual language of stone, water, planting, and spatial restraint.

Figure 1: AI-generated illustrative image of a Karesansui (dry landscape) garden.
The dry landscape garden, or karesansui, emerged during the late thirteenth century and became closely associated with Zen Buddhist temples in the Muromachi period (1336–1573). These gardens employ abstraction rather than literal representation, using raked gravel and stone formations to symbolise rivers, oceans, islands, and mountains without the use of water.
Stones form the structural framework of the garden and are positioned according to strict compositional rules, often in asymmetrical groupings. Gravel surfaces are meticulously raked to suggest movement and flow, reinforcing the illusion of water while emphasising emptiness and stillness. Planting is minimal, commonly limited to moss, which softens the stone forms without distracting from the overall austerity.

Figure 2: AI-generated illustrative image of a Chisen-shiki (pond) garden.
Pond gardens represent the earliest formalised style of Japanese garden design, originating in the eighth century during the Heian period (794–1185). These gardens were constructed for aristocratic estates and were intended to be viewed from adjacent buildings or experienced from boats on the water.
The central pond symbolises the sea, while islands represent sacred or mythical locations derived from Buddhist and Taoist cosmology. Bridges provide both physical and symbolic connections between spaces, often marking transitions between the earthly and the spiritual. Shorelines are carefully shaped to appear natural while remaining highly controlled.

Figure 3: AI-generated illustrative image of a Roji (tea garden).
The tea garden, known as roji, developed during the fifteenth century alongside the formalisation of the Japanese tea ceremony. Unlike other garden styles, the tea garden functions primarily as a transitional space, guiding guests from the outer world into the contemplative environment of the tea house.
Stepping stones regulate movement and encourage mindfulness, while stone lanterns provide subdued illumination. A stone water basin (tsukubai) is used for ritual purification, reinforcing themes of humility and simplicity. Moss and evergreen planting create a timeless atmosphere consistent with the aesthetic philosophy of wabi-sabi.

Figure 4: AI-generated illustrative image of a Kaiyū-shiki (stroll) garden.
The stroll garden emerged in the early seventeenth century during the Edo period (1603–1868) and represents a synthesis of earlier garden styles. These gardens are designed to be experienced sequentially along a circuit path that reveals a series of carefully composed views.
Elements such as bridges, hills, and water features create visual rhythm and narrative progression. The technique of borrowed scenery (shakkei) integrates distant landscapes into the garden composition, extending the perceived space beyond its physical boundaries. Seasonal planting reinforces the theme of impermanence central to Japanese aesthetics.
Traditional Japanese garden styles reflect a disciplined approach to landscape design in which every element serves both aesthetic and symbolic purposes. Through abstraction, ritualised movement, and controlled naturalism, these gardens communicate philosophical ideas that continue to influence landscape architecture and cultural practice today.